{"title":"Black Friday 2021","description":"","products":[{"product_id":"earthquaker-acapulco-gold-poweramp-distortion-pedal","title":"Earthquaker Acapulco Gold Poweramp Distortion Pedal","description":"\u003ch3\u003eStriking Gold\u003c\/h3\u003e\n\u003cp\u003eThe Acapulco Gold is a dirt-simple power amp distortion device that's based on the vibe of a cranked Sunn Model T. You know what's awesome? Vintage Sunn Amplifiers. You know what else is awesome? Simplicity. One button, one knob. How loud would you like it? Just move the knob. This is the spirit of rock and roll. Quit turning knobs and play that guitar like you mean it. \u003c\/p\u003e\n\u003ch3\u003eAcapulco and Your Guitar\u003c\/h3\u003e\n\u003cp\u003eWhile playing, you may want to try ignoring our suggestion and try fiddlin' with your guitar's volume and tone knobs as these can drastically affect the sound of the Acapulco Gold. The volume knob on your guitar cleans up the pedal nicely, but not too clean. At minimum guitar volume settings, the Gold imparts a hazy, Nashville-sounding spank to your tone. At just-barely-backed-off, the Gold turns into a raunchy overdrive. And of course when the guitar volume is completely open, the Gold roars like a Model T on the verge of explosion. It's not quite fuzz, but so close. \u003c\/p\u003e\n\u003cp\u003eEach Acapulco Gold is made part by part, wire by wire, giant knob by giant knob with real, live humanimal hands in our gilded manufactory located in gray olde Akron, Ohio, USA. \u003c\/p\u003e\n\u003c!-- Highlight --\u003e\n\u003cul class=\"prod-controls\"\u003e\n\u003cli\u003e\n\u003cspan\u003eBig Knob\u003c\/span\u003eThe big knob sets the output level, sometimes known as Volume. PLEASE BE CAREFUL! The Acapulco Gold is extremely loud!\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":19898101766,"sku":"EQDACAPV2USA","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/Acapulco-Gold2.jpg?v=1613937539"},{"product_id":"vic-firth-kidp-kids-sound-protection-headphones","title":"Vic Firth Kids Sound Protection Headphones","description":"\u003cp\u003eThese non-electric headphones are specially sized for children and reduce overall noise levels by 22 decibels.\u003c\/p\u003e","brand":"Vic Firth","offers":[{"title":"Default Title","offer_id":22751489158,"sku":"KIDP","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/Vic-Firth-Kidphones.jpg?v=1533921931"},{"product_id":"vic-firth-sih1-vic-firth-sih1-stereo-isolation-headphones","title":"Vic Firth SIH1  Stereo Isolation Headphones","description":"\u003cp\u003eThese specially designed headphones drastically reduce the level of external sound reaching the musician's ears‚ offering valuable protection from potential damage. The SIH1 reduces overall noise levels by 24 decibels and features high quality stereo headphones. Unlike non-isolation headsets‚ where musicians typically crank the volume to very high and potentially damaging sound levels in order to hear the music clearly‚ the SIH1 reduces ambient noise from the instruments. This allows the musician to play along with the recorded music or monitor other performers in a live situation at comfortable and safe sound levels.\u003c\/p\u003e","brand":"Vic Firth","offers":[{"title":"Default Title","offer_id":22751490118,"sku":"SIH1","price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/Vic-Firth-Stereo-Isolation.jpg?v=1533921939"},{"product_id":"daddario-ns-microsoundhole-tuner","title":"D'Addario NS Micro Soundhole Tuner","description":"\u003cp\u003eDesigned specifically for acoustic guitar, ukulele, and other acoustic instruments, the chromatic NS Micro Soundhole Tuner remains perfectly concealed within the instrument’s soundhole for discreet tuning. The non-marring universal mounting clip allows stress-free installation, while the highly sensitive piezo transducer senses vibrations directly from the soundboard for fast and accurate tuning response. The bright, multi-color display allows easy viewing in any environment. It’s so small, convenient, and accurate, you’ll want one for every acoustic instrument you own!\u003c\/p\u003e","brand":"D'Addario","offers":[{"title":"Default Title","offer_id":22866220486,"sku":"PWCT15","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/DADDARIO-NS-MICRO-SOUNDHOLE.jpg?v=1615523572"},{"product_id":"dunlop-crybaby-bass-wah","title":"Dunlop Crybaby Bass Wah","description":"\u003cp\u003eThe first wah pedal designed by bass players for bass players. The 105Q incorporates a proprietary potentiometer* and custom EQ circuitry, specifically optimized for bass frequencies. The Cry Baby Bass Wah applies the wah effect to the mids and highs only, leaving a strong fundamental to hold down the bottom—so you can take solos or throw in fills without ever disturbing your low end. This amazing pedal is used by Flea, Justin Meldal-Johnsen, Doug Wimbish, Robert Trujillo and more.\u003c\/p\u003e","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":23432449286,"sku":"105Q","price":159.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/dunlop-crybaby-bass-wah_1.jpg?v=1615828199"},{"product_id":"dunlop-crybaby-mini","title":"Dunlop Crybaby Mini","description":"\u003cp\u003eDon’t let its small size fool you—the CBM95 Cry Baby Mini Wah doesn’t skimp on tone or usability. It comes equipped with the legendary Fasel inductor, a full sweep range, and three internally adjustable voicings—Low, Vintage, and GCB95. At half the size of a standard Cry Baby pedal, the CBM95 is perfect wherever space comes at a premium, such as on a travel board. To top it off, this pedal features true bypass switching and high quality hardware so that it can take a beating on the road. Save precious space without sacrificing tone and put a Cry Baby Mini Wah on your pedalboard.\u003c\/p\u003e","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":23432449414,"sku":"CBM95","price":125.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/dunlop-crybaby-mini_1.jpg?v=1614029686"},{"product_id":"dunlop-crybaby-535q-wah-wah-pedal","title":"Dunlop Crybaby 535Q Wah-Wah Pedal","description":"\u003cp\u003eThe 535Q is the Swiss Army knife of wah pedals. It provides control over the most important wah parameters, making it easy for you to create your ultimate wah tone. Select the frequency center of the effect, then dial in the frequency range to be swept by the pedal. From narrow and sharp to broad and subtle, this amazing wah can deliver it. Once you've got your sound, make sure it gets heard with the adjustable, switchable boost that can create endless sustain on any note.\u003c\/p\u003e  ","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":23432449670,"sku":"535QB","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/dunlop-crybaby-535q-wah-wah-pedal_1.jpg?v=1613937504"},{"product_id":"dunlop-fuzz-face-distortion","title":"Dunlop Fuzz Face Distortion","description":"\u003cp\u003eThe original Fuzz Face Distortion is constructed to the vintage specs, with the original Germanium PNP transistor design. This is the classic fuzz box used by Jimi Hendrix, Eric Johnson, and more. Power: Single 9 volt battery\u003c\/p\u003e","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":23432449926,"sku":"JDF2","price":179.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/Dunlop-Fuzzface.jpg?v=1617046193"},{"product_id":"dunlop-gcb95-original-crybaby-wah-wah","title":"Dunlop GCB95 Original Crybaby Wah-Wah","description":"\u003cp\u003eWhen people talk about wah-wah pedals, they’re talking about the Cry Baby Wahs. This is the one that created some of the most timeless sounds in rock. The pedal that would eventually become the Cry Baby was first created in 1966 by engineers at the Thomas Organ Company. This new and expressive effect was an instant hit with players like Jimi Hendrix and Eric Clapton, who have contributed to the Cry Baby Wah’s huge popularity to this day. While other effects have come and gone, the Cry Baby Wah just keeps getting better with age. Power: Dunlop ECB003 AC Adapter or Single 9 volt battery\u003c\/p\u003e","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":23432450374,"sku":"GCB95N","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/dunlop-gcb95-original-crybaby-wah-wah_1.jpg?v=1615071032"},{"product_id":"dunlop-gcb985f-crybaby-classic-with-fasel","title":"Dunlop GCB985F Crybaby Classic With Fasel","description":"\u003cp\u003eThe heart and soul of the original wah pedals was the legendary Fasel inductor, and the Cry Baby Classic has it. Why is that important? Because the Fasel inductor was the key to the gorgeous tone, voice, and sweep of those first wahs. Plus, these inductors have been unavailable for decades. Now you can get that magic tone again. Go back in time with the Cry Baby Classic with Fasel Inside. Hear what you've been missing.\u003c\/p\u003e","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":23432450502,"sku":"GCB95F","price":139.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/dunlop-gcb985f-crybaby-classic-with-fasel_1.jpg?v=1617046189"},{"product_id":"dunlop-fuzz-face-mini-germanium","title":"Dunlop Fuzz Face Mini-Germanium","description":"\u003cp\u003eThe Fuzz Face Mini pedal line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: a bright status LED, an AC power jack and a convenient battery door. As with the original models, Fuzz Face Minis feature true bypass switching.\u003c\/p\u003e\n\u003cp\u003eThe FFM2 Germanium Fuzz Face Distortion Mini is based on ’66-’68 era pre-silicon Fuzz Faces famous for warm vintage fuzz tones provided by slightly mismatched germanium transistors.\u003c\/p\u003e","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":23432450566,"sku":"FFM2","price":159.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/Dunlop-Fuzzface-MINI-GERM.jpg?v=1613771953"},{"product_id":"dunlop-fuzz-face-mini-silicon","title":"Dunlop Fuzz Face Mini-Silicon","description":"The Fuzz Face® Mini Distortion line features legendary Fuzz Face tones in smaller, more pedalboard-friendly housings with several modern appointments: a bright status LED, an AC power jack and a convenient battery door. As with the original models, Fuzz Face Minis feature true bypass switching. \u003cbr\u003e \u003cbr\u003e The FFM1 Silicon Fuzz Face Mini Distortion is spec’d from a 1970 Fuzz Face in our own collection prized for its bright and aggressive Fuzz Face sound delivered by its matched BC108 silicon transistors.","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":23432450694,"sku":"FFM1","price":159.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/Dunlop-Fuzzface-MINI-Silicon.jpg?v=1617046202"},{"product_id":"dunlop-jimi-hendrix-band-of-gypsys-fuzz-face-mini","title":"Dunlop Jimi Hendrix Band Of Gypsys Fuzz Face Mini","description":"\u003cp\u003eOver the course of ’69–’70, Jimi Hendrix appeared at his most noted live appearances—Live at Woodstock, Live at Berkeley, and Live at the Fillmore East—using a mysterious red Fuzz Face Distortion with white knobs. That fuzz box sounded like a completely different animal from any of the other Fuzz Face pedals in Jimi’s arsenal, snarling with a far more aggressive, biting tone.\u003c\/p\u003e\n\u003cp\u003eThe pedal itself has been lost to history, but its unmistakably unique tone lives on in the recordings of those three iconic shows, and Hendrix aficionados have tried to cop that sound for years. We are happy to say that their tonal quest can finally come to a glorious end.\u003c\/p\u003e\n\u003cp\u003ePoring tirelessly over all of the different customized circuit designs Jimi used over the years, our engineers narrowed down this elusive fuzz tone to a version of the Octavio® circuit that didn’t have the octave up signal. After making a few tweaks, they nailed it with the Band of Gypsys Fuzz Face Mini Distortion.\u003c\/p\u003e\n\u003cp\u003eNow, you can get the same Fuzz Face tone Jimi used to woo the masses at some of his most famous performances. It comes in a pedalboard-friendly Fuzz Face Mini housing, complete with an AC power jack and an on\/off status LED.\u003c\/p\u003e","brand":"Dunlop","offers":[{"title":"Default Title","offer_id":23432450758,"sku":"FFM6","price":179.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/dunlop-jimi-hendrix-band-of-gypsys-fuzz-face-mini_1.jpg?v=1617046212"},{"product_id":"ernie-ball-mono-volume-pedal","title":"Ernie Ball Mono Volume Pedal","description":"\u003cp\u003eErnie Ball's original full-size mono volume pedal features a super smooth foot sweep for precise volume control and is perfectly voiced for passive audio signals. Directly behind the input jack under the footplate is a micro taper switch which provides the user two distinct volume swell rates. The Ernie Ball VP 250k's rugged construction consists of a billet aluminum housing that is virtually indestructible.}\u003c\/p\u003e","brand":"Ernie Ball","offers":[{"title":"Default Title","offer_id":23432470662,"sku":"6166","price":129.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/ERNIE-BALL-MONO-VOLUME-PEDAL_copy.jpg?v=1617974369"},{"product_id":"ernie-ball-mono-volume-pedal-jr-250k","title":"Ernie Ball Mono Volume Pedal JR 250K","description":"\u003cp\u003eThe potentiometer has a 250k ohm resistance suitable for the audio path of passive instruments only. Behind the jack area under the footplate is a taper switch, which provides the user two distinct volume swell rates. Attached to the footplate is an on\/off switch connected to the jack labeled \"Switch\". This is an isolated circuit and may be used for controlling other gear in your system like amp channel switching, effects bypass, etc. Overall Volume Pedal dimensions: 4\" W x 11\" L x 2 3\/4\" H.\u003c\/p\u003e","brand":"Ernie Ball","offers":[{"title":"Default Title","offer_id":23432470726,"sku":"6180","price":109.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/ERNIE-BALL-MONO-VOLUME-PEDAL-JR-250K_copy.jpg?v=1615656083"},{"product_id":"ernie-ball-stereo-volume-pedal","title":"Ernie Ball Stereo Volume Pedal","description":"\u003cp\u003eThe potentiometer has a 25k ohm resistance suitable for the audio path of active instruments or buffered effect returns. Use the A input \/ A output for the left channel and the B input \/ B output for the right channel. For use as a mono volume pedal, use the A input and A output. For use with stereo cable installations using TRS type stereo plugs use the B input and B output. Overall Volume Pedal dimensions: 4 W x 11\" L x 2 3\/4\" H.\u003c\/p\u003e","brand":"Ernie Ball","offers":[{"title":"Default Title","offer_id":23432470790,"sku":"6167","price":159.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/ERNIE-BALL-STEREO-VOLUME-PEDAL_copy.jpg?v=1533919381"},{"product_id":"jhs-4-wheeler-bass-fuzz","title":"JHS 4 Wheeler Bass Fuzz","description":"\u003cp\u003eBass fuzz has to be the sweetest thing ever. There is nothing like a tight bass line with fuzz driving it home. Our 4 Wheeler V2 will give you the ability to do everything from 60’s jam band to modern electronic fuzz. With Volume, Tone, Fuzz and a specially tuned Gate control, the ability to tweak away is at your fingertips. There is enough volume\/headroom to shake any stage, as well as drive your amp as hard as you would ever need. The tone and fuzz controls are super flexible with usable sweeps all the way around, while the gate control can give you those much desired synth break-offs or just the right amount of jab for that perfect riff. The \"Hi\/Lo\" toggle switch lets you go from a deeper, more low-end focused range of tones to the normal V1 settings.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432473926,"sku":"4WHEELER","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-4-WHEELER-BASS-FUZZ.jpg?v=1522082757"},{"product_id":"jhs-alpine-reverb","title":"JHS Alpine Reverb","description":"\u003cp\u003eIn a world full of reverb pedals we are proud to offer up a highly tweak-able, versatile, inspiring and cost effective solution for any situation your gig might throw at you. The heart of the Alpine's design is the idea that you can have a reverb pedal that is straight forward, easy to use, but also extremely powerful in its functions all while still very approachable without requiring a degree in computer engineering to dial in a great sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSwitches \u0026amp; Knobs\u003c\/strong\u003e\u003cbr\u003e The Alpine features two footswitches.  The left footswitch turns the pedal On\/Off and the right footswitch is the \"Shift\" footswitch (which we will explain a bit later).  The knob controls start with the \"Reverb\" control.  The \"Reverb\" control is essentially a wet\/dry mix knob that lets you set the perfect balance and feel to how saturated the effect feels.  The \"Highs\" control functions like a high-pass filter.  Highs roll off and let you darken or brighten the overall effect when its engaged.  The \"Highs\" control plays a big part in the actual feel of the reverb, how it decays, and how it reacts in your overall rig.   For example a setting that may feel over-the-top or a bit wild can be tamed into a very usable and more subtle texture simply by rolling back the \"Highs\" control.  This also works in the opposite way as a simple room\/slap sound can be brightened into a more dramatic sound.  The \"Depth\" control adjusts the size or space of the reverb. Think of the \"Depth\" control as a knob that lets you change the depth of the canyon you are playing guitar in.  The \"Length\" control adjusts the tails\/decay time of the overall reverb.  At low \"Length\" settings you feel like you're in a bathroom, at full tilt you feel like you're in a space cave that transcends human perception.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShift Knob \u0026amp; Footswitch\u003c\/strong\u003e\u003cbr\u003e The \"Shift\" knob is possibly the most useful of them all as it basically allows two settings on the fly. When you engage the \"shift' footswitch on the right you also engage the \"Shift\" knob that is a second \"Reverb\" control.  This lets you set the standard \"Reverb\" control to one setting and the \"Shift\" to another for on the fly adjustment between two preset sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJacks\u003c\/strong\u003e\u003cbr\u003e You will find The Alpine has two top-mounted 1\/4\" Input\/Output jacks like most pedals.  On the left side we also include a TRS EFX Loop jack just like what is found in the \u003ca title=\"Panther Cub Delay\" href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/panther-cub-delay\/\"\u003eJHS Panther Cub Analog Delay\u003c\/a\u003e.  The EFX Loop allows you to insert any pedal or effect unit you want within the reverb signal itself for infinitely tweak-able sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEFX Loop\u003c\/strong\u003e\u003cbr\u003e Using a \u003ca href=\"https:\/\/www.sweetwater.com\/store\/detail\/STP201\" target=\"_blank\" rel=\"noopener noreferrer\" onclick=\"_gaq.push(['_trackEvent', 'outbound-article', 'https:\/\/www.sweetwater.com\/store\/detail\/STP201', 'TRS Splitter Cable']);\"\u003eTRS Splitter Cable\u003c\/a\u003e you can insert your favorite octave pedal to create a Shimmer effect.  Insert a delay for huge ambient pads or even an EQ for fine control of the frequencies and shape of the reverb effect.  On your splitter cable the RING goes to the output\/return of the effect you are using in the loop and the TIP goes to the input\/send of that same effect.   Inside the Alpine you will find a small switch that says (EFX LOOP) and two positions labeled (SHIFT ONLY) and (ALWAYS ON).  All units are shipped with this dip-switch in the (SHIFT ONLY) position.  When the switch is on \"Shift Only\" the EFX Loop only engages when you engage the \"Shift\" footswitch setting.  This allows you to have your normal reverb setting and then hit the \"Shift Footswitch\" to activate your \"Shift\" knob setting and your EFX Loop at the same time for two very different sounds on the fly.   If you want the EFX Loop to apply in both the normal \"Reverb\" and \"Shift\" settings, simply flip the dip-swich to the (Always On) position and the EFX loop will always-be-on-all-the-time whenever the Alpine is turned on or the \"Shift\" is engaged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrails \u0026amp; Buffered Bypass\u003c\/strong\u003e\u003cbr\u003e The Alpine uses a high quality buffered bypass that restores lost signal in your rig by correcting impedance and driving the load of your signal to your amp.  Using buffered bypass also allows for \"Trails.\"  Trails is the feature that lets the reverb signal to gradually trail off when (instead of cutting off abruptly) turning the pedal off.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfter years of requests JHS Pedals finally caved, and by caved we mean you can now sound like you are now playing your guitar in a cave with JHS Pedals style. The Alpine is what we believe to be the complete package in reverb. It does the simple as well as the complex and is easy to use. If you want a realistic and believable Spring reverb or even washed out ambient layers, the Alpine does all of these tones and more.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSpecial thanks to Jim Coleman of Sky Pedals for giving us a great foundation to build on. The Cloud 9 lives on in the Alpine. \u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes about 100mA, and measures 4.7\"x3.7\"x1.2\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432474374,"sku":"ALPINEREVERB","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-ALPINE-REVERB.jpg?v=1533920390"},{"product_id":"jhs-buffered-splitter-single-in-dual-out","title":"JHS Buffered Splitter Single In\/Dual Out","description":"\u003cp\u003eNeed to split your signal Dont want to settle for a passive device that will kill your tone and cause signal loss This is what you need! This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you dont lose clarity or tone in any way.\u003c\/p\u003e\n\u003cp\u003eHere are some of the uses:\u003c\/p\u003e\n\u003cp\u003e*Plug your guitar in and use one output to send your clean signal somewhere like a mixer, separate amp, etc... and send the other output through your board like normal.\u003c\/p\u003e\n\u003cp\u003e*Use one output to send a constant signal to your tuner and the other for your normal chain. This can help you defeat those volume pedal tuner out horrors!\u003c\/p\u003e\n\u003cp\u003e*Split your signal in any way you can imagine!\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 3.6\"x1.5\"x1\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432474694,"sku":"BUFFEREDSPLIT","price":95.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/1.png?v=1665679951"},{"product_id":"jhs-charlie-brown-v4-channel-drive-jtm45-tones","title":"JHS Pedals Charlie Brown V4 Overdrive Distortion Effect Pedal","description":"\u003cp\u003eIf you’ve ever heard an original Marshall JTM45 than you know why it’s the voice of classic rock \u0026amp; roll. The classic JTM45’s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. Our Charlie Brown is voiced to transform any good amp into a living, breathing replica of the tone that built an era. The Charlie Brown V4 builds on the popularity of the V3 by keeping the same heart and soul while giving more flexibility and options.\u003c\/p\u003e\n\u003cp\u003eLet's take a look at the controls. Looking at the pedal you see Volume, Drive, Bass, Mids, and Treble. The Volume control acts as a master volume would on your amplifier. Turn this control up and you are louder, turn it down and you are quieter. The Drive knob controls the amount of dirt or overdrive in the path. All the way up is the most available dirt, all the way down is the cleanest setting. With the gain below 50%, it is a low gain grit overdrive that even Hendrix would be proud to turn on. When you get into the upper half of the gain control, you will find a new world of natural, crunchy bite that stands alone in our line of overdrives. Max it out and you will be in high gain overdrive heaven.\u003c\/p\u003e\n\u003cp\u003eNew to the V4 are the Bass, Mids, and Treble controls. To faithfully replicate a vintage Marshall, we felt it was time to incorporate a full Marshall style tone stack. All three of these controls act as a cut and boost, while at noon they are relatively flat. The right 1\/4\" jack is the input, and the left is the output. If you are looking for classic rock overdrive that feels, sounds, tastes, and smells like the real thing... Look no further. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\".\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432475078,"sku":"CHARLIEBROWNV4","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/files\/CHARLIEBROWNV4-jhs-charlie-brown-v4-channel-drive-jtm45-tones-1.png?v=1778505247"},{"product_id":"jhs-colour-box-studio-grade-preamp","title":"JHS Colour Box Studio Grade Preamp","description":"\u003cp\u003eIn 1961 a British engineer would start a company from a spare room in his England home that would permanently change the history of the Pro Audio industry. This company set a trajectory for musical tones that spanned across genres and impacted every generation that followed. We are talking about the famous piece of gear known as the Neve* recording console. From \"Love Me Do\" by The Beatles to the famous sounds of Led Zeppelin, U2, Spoon, Pink Floyd, Motown, Quincy Jones, Nirvana, Steely Dan, Neil Young, Tears For Fears, and Tom Petty (the list is endless), The Colour Box is our tribute to the legend and application of how a piece of gear can change music.\u003c\/p\u003e\n\u003cp\u003eHave you ever heard songs like the Beatles \"Revolution\", or Motown classics like Jackson 5, Marvin Gaye, or even the modern Radiohead's \"Bodysnatchers\" and thought, \"How are they getting that guitar sound\" Well, the answer is sort of clothed in obscurity, but it's actually created by the simplest practical application......plugging a guitar directly into a vintage studio console and recording \"direct in.\" The JHS Pedals Colour Box is designed and created to allow you to recreate these guitar tones with your live rig, or in a studio environment by using 100% analog circuitry true to the design and schematic of vintage Neve* circuitry. The Colour Box is completely free from any digital modeling. Never before have \"direct in\" tones been available from your guitar amp in the way that the Colour Box delivers them. Aside from creating these \"direct in\" tones, the Colour Box covers all the ground that you would expect a high quality studio preamp to cover. From your microphone, bass, keyboard, or even your acoustic guitar, it does it all.\u003c\/p\u003e\n\u003cp\u003eWhats Inside \u003cbr\u003e We have gone to great lengths to bring the color and character of a real vintage console to your feet or desktop. We started with two gain stages in series that produce beautiful clean tones but that can also destroy any signal into a beautiful fuzzy mess, full of rich harmonics and body with over 39db of gain on tap. The local feedback of each gain stage makes for a very unique type of distortion. We used the same topology and discrete gain stage found in the Neve* 1073, but we have two gain stages in series instead of one. We use a high quality Lundahl transformer that adds weight, heft, and a 3D quality just like preamps that you will find costing much more. The transformer fattens the lows, adds harmonic complexity and richness to the midrange (kinda like stirring flour into your drippings to give you gravy) as well as smoothing and rounding of the high frequencies. It also blocks all DC voltages, adds electrical isolation, and blocks RF frequencies ensuring super quiet operation and noise floor.\u003c\/p\u003e\n\u003cp\u003eThe Controls and Jacks\u003cbr\u003e Think of the controls as three separate sections:\u003c\/p\u003e\n\u003cp\u003e1. Gain (RED)\u003cbr\u003e The gain structure is made up of three parts:\u003cbr\u003e The Pre Volume (labeled \"Pre-Vol\") can be used the same as you would a Drive knob on an overdrive pedal. In this circuit, the Pre Volume is between the two gain stages, and the setting of the Pre Volume determines how much signal continues to the second stage.\u003cbr\u003e The Master Gain (labeled \"Master\") is what would typically be considered as a Volume control. Other terms are \"master volume\" or the \"output trim.\"\u003cbr\u003e The Step Gain (labeled \"Step\") changes the gain of each preamp stage in five stages. Rotating the \"Step\" knob from left-to-right will increase the gain by the following:\u003cbr\u003e 1 is X 18 db\u003cbr\u003e 2 is X 23 db\u003cbr\u003e 3 is X 28 db\u003cbr\u003e 4 is X 33 db\u003cbr\u003e 5 is X 39 db\u003c\/p\u003e\n\u003cp\u003e2. Equalizer \/ Tone Control (BLUE)\u003cbr\u003e The tone control section is a highly modified Baxandall type that is tuned for less control interaction and more boost\/cut capability. The center frequencies are Treble 10kHz, Middle 1kHz, and Bass 120Hz, with +\/- 17dB of control.\u003c\/p\u003e\n\u003cp\u003e3. Highpass Filter (YELLOW)\u003cbr\u003e The Highpass spans from 60Hz to 800Hz with a 6dB per octave slope. This control allows you to only let high frequencies pass. In return you will find a vast palet of tones that sit perfect and inspire textures that you have never heard from your rig. The toggle switch will turn the Highpass on or off.\u003c\/p\u003e\n\u003cp\u003eIn and Out Jacks \u003cbr\u003e You will notice that in addition to the normal 1\/4\" instrument input\/output found on a guitar pedal, we added an XLR input and output so that The Colour Box can be used as a vocal, bass, acoustic, or keyboard preamp live or in the studio. The 1\/4\" mono output and the XLR output are independent and allow you to run parallel outputs to two destinations. For example, run the 1\/4\" mono out into your guitar amplifier and at the same time run the XLR output to your front-of-house mixing board. Another example of using parallel outputs would be to track amp tones and the \"direct in\" sound of your performance onto two separate tracks. We achieved the parallel output by way of a discrete shunt-feedback circuit.\u003c\/p\u003e\n\u003cp\u003eInput Selector Switch\u003cbr\u003e The input selector switch located above the input jack lets you choose line or microphone input. In the down position it is in Instrument mode. In the up position it is in XLR mode.\u003c\/p\u003e\n\u003c!-- Video --\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/6WF-j4rTH8E\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432475462,"sku":"COLOURBOX","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-COLOUR-BOX-STUDIO-GRADE-PREAMP.jpg?v=1533920393"},{"product_id":"jhs-double-barrel-2-in-1-dual-overdrive","title":"JHS Double Barrel 2 In 1 Dual Overdrive","description":"\u003cp\u003eThis is our \"Everything low to medium gain\" pedal.\u003c\/p\u003e\n\u003cp\u003eThe Double Barrel is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won't find face melting distortion here, but you will find overdrive with the character and stacking abilities to cover most any tonal need.\u003c\/p\u003e\n\u003cp\u003eThe right side is our JHS-808 with more usable tone control, more focused lows, better presence and warmer clipping than the original screamers on the market. With ?Version 3? we added a three way gain switch to choose between saturated\/boost\/crunch. The left side is our #1 selling \"Morning Glory\" overdrive. Transparent and open tones are what lurk inside this circuit.\u003c\/p\u003e\n\u003cp\u003eWhen these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility, due to the \"order switching\" toggle that lets you decide what pedal comes first in the signal chain.\u003c\/p\u003e\n\u003cp\u003eWe are convinced that this is one of the greatest 2 in 1 pedals ever made... Seriously. If you're having problems getting the tones you want, just snatch the Double Barrel and see what happens!\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 4.7\"x3.7\"x1.2\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432475718,"sku":"DOUBLEBARREL","price":315.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-Pedals-Double-Barrel-top-A_copy.jpg?v=1490115392"},{"product_id":"jhs-emperor-analog-chorus-vibrato","title":"JHS Emperor Analog Chorus\/Vibrato","description":"\u003cp\u003eWe are proud to bring you the Emperor true analog chorus and pitch vibrato with tap tempo, waveform selection, rotary speaker simulation, true stereo output and more. Starting with the coveted vintage Arion SCH-1 chorus topology, the Emperor's design and engineering expands further into new heights of what real bucket brigade tones (via a 3207 chipset) can offer. The end result allows you to have a host of vintage modulation tones at your disposal with the amenities and modern flair that only we can offer. From vintage    Boss VB-2, CE-2, CE-1, as well as the legendary and rare SCH-1, the Emperor lets you explore true analog modulation at it’s best.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKnobs \u0026amp; Controls\u003c\/strong\u003e\u003cbr\u003e There are four knob controls on the Emperor:  Volume, Tone, Speed, Depth.  The Volume control allows you to adjust the input by cutting or boosting the signal. This gives you the flexibility to have your tones sit back in the mix or stand out as needed. The Tone control is a variation of the original SCH-1 tone stack with several adjustments that give it a better sweep, focus and range. The Speed control allows you to adjust the time\/speed of the modulation.  The Tap Tempo footswitch works in conjunction with the Speed control to allow you adjust your Speed on-the-fly and in real-time.  The Depth control allows you to adjust how deep or wet the modulation is perceived.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eToggle Switches\u003c\/strong\u003e\u003cbr\u003e There are two toggle switches found in the center of the unit.  The Chorus\/Vibrato toggle lets you switch between Chorus mode or Vibrato mode.  The Waveform selection toggle gives you three waveform options:  Sine, Square, Triangle.  The three waveforms provide three unique options of Chorus and also three options of Vibrato, making a total of six different modulation settings...all which can be dialed in with tap-tempo. As a starting point, both switches down is true VB-2 style pitch vibrato, both switches up is true SCH-1 chorus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJacks\u003c\/strong\u003e\u003cbr\u003e There are three 1\/4” jacks on the Emperor. The Input jack receives your instrument's signal. The Output jack sends the signal out of the pedal to an amplifier or your pedal chain. You can use an optional TRS splitter cable from the Output jack and send output signal to two amps for true stereo modulation. The Tap\/Expression jack allows you to connect a TRS Expression pedal or a external Tap Tempo to control the unit.   Choose which option you want to use by using an internal switch labeled \"Tap\/Exp.\"  In Expression mode, connect any TRS Expression pedal to control the pedal's speed and you will have a very natural rotary simulation effect when in Chorus mode.  The Speed parameters are perfectly preset for a very realistic rotary speaker sound with real time control at your feet.  When in Tap mode you can set the Speed of the Emperor using an external tap tempo pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrue Bypass \u0026amp; Buffered Bypass Options\u003c\/strong\u003e\u003cbr\u003e The Emperor can utilize true-bypass on\/off switching OR buffered bypass switching.  The footswitch on the bottom left of the pedal turns the effect on\/off.  Internally you will find a small dip-switch that lets you select true bypass or buffered bypass.  If you want you use the Emperor with a TRS Splitter for stereo use, you will have to use the Buffered bypass setting.  Stereo output will not function when the pedal is in true-bypass mode.  The Emperor will ship set to buffered bypass.  The buffer is a high quality buffer designed to keep the integrity and tone of your original signal in place while driving your signal so that no degradation occurs in your rig.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 4.7\"x3.7\"x1.2\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432475782,"sku":"EMPERORJHS","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-EMPEROR-ANALOG-CHORUSVIBRATO_2.jpg?v=1522082757"},{"product_id":"jhs-firefly-fuzz-ac128-british-fuzz","title":"JHS Firefly Fuzz AC128 British Fuzz","description":"\u003cp\u003eIn 1965 a new fuzz circuit called the Sola Sound* Tone Bender MKI arrived on the booming London music scene. By 1969 several versions and variations of the Tonebender existed. It was the British engineered answer to the popular American made Gibson* Maestro Fuzz-Tone\u003cstrong\u003e,\u003c\/strong\u003e and it delivered a lot of fuel for the British Invasion that swept over the American airwaves in the 60’s. From its inception, the Tonebender soon became a staple in the tones of some of the greatest guitarist of the era which caused many versions and copies by other companies like Vox*, Jennings*, Coloursound* and JMI* to be produced. The Firefly Fuzz is our take on delivering this classic three transistor Germanium fuzz circuit, in JHS Pedals fashion, including major improvements while caring for the details that preserve its legendary tone.\u003c\/p\u003e\n\u003cp\u003eAt first glance you will see four controls, Volume, EQ, Fuzz and Bias. The Volume is your standard master volume\u003cstrong\u003e;\u003c\/strong\u003e the Firefly has an enormous amount of headroom that allows it to be used as a boost that can hit extremely hard if needed. The EQ operates as a cut, as you rotate to the right you will remove highs and fatten the tone. The Fuzz control simply adds more distortion\/fuzz making the signal dirtier. One of the major additions to this classic circuit is our Bias control knob. This allows you to fine-tune just the right amount of power to the perfectly hand-matched germanium AC128 transistors inside. The results are loud and powerful tones when rolling the Bias knob to the left and more dirty\/saturated tones when rolling it to the right. This control also helps you tweak the pedal to perfection and overcome the issue of the transistors sounding different in various temperatures and environments that all Germanium Fuzz pedals are subject to. Another huge improvement over vintage Tonebender units are that we internally adjust voltage and polarity so that you can power this classic circuit on a normal 9v power supply!\u003c\/p\u003e\n\u003cp\u003eThe Firefly is our tribute to the Tonebender MKIII model of the late 60’s. If you are a fan of classic fuzz and the unique touch sensitivity, response and rich tone that a true Germanium fuzz offers, the Firefly is a perfect fit. This fuzz is truly a powerful and versatile piece of gear that can reach from blues to rock to heavy grinding distortion.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\"\u003c\/p\u003e\n\u003cp\u003e*The words\/names and models mentioned are for descriptive and historical reference only.  The JHS Pedals Firefly Fuzz is in no way affiliated with any of the words\/names or models mentioned.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432475846,"sku":"FIREFLYFUZZ","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-FIREFLY-FUZZ-AC128-BRITISH-FUZZ.jpg?v=1522082757"},{"product_id":"jhs-honey-comb-dual-speed-tremolo","title":"JHS Honey Comb Dual Speed Tremolo","description":"\u003cp\u003eJust like our discontinued Honey Comb Single, the Honey Comb Deluxe gives you true vintage analog tone and ease of operation that will open up a new palette of sounds reminiscent of early Fender blackface and vintage Vox tremolo circuits from years gone by. The only difference is that this one has those over the top options for the more demanding trem-o-haoulic.\u003c\/p\u003e\n\u003cp\u003eWe start by giving you an extra LED for the rate speed that stays on even when the pedal is in bypass. This allows a constant monitor on your speed. The next thing we do is add a second footswitch that allows you to alternate between two independently controlled speed knobs! This is like having two tremolos in one enclosure. The knobs are located over a third LED that is always on as well. When the LED is red it means you have the red speed knob activated and when it’s green. You guessed it; you have the green knob activated.\u003c\/p\u003e\n\u003cp\u003eOn V2's you will see a small red switch inside the pedal on the circuit board. Flip this switch down for slower speed ranges or keep it up for the stock speed range.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432475974,"sku":"HONEYCOMB","price":239.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-HONEY-COMB-DUAL-SPEED-TREMOLO_2.jpg?v=1533920394"},{"product_id":"jhs-lime-aid-bass-compressor","title":"JHS Lime Aid Bass Compressor","description":"\u003cspan\u003eDue to the popularity of our Pulp N Peel guitar compressor and a demand for a truly transparent and useful bass compressor, we bring you the “Lime Aid”. Dynamics, punch and clarity are a few of the things that this unit will bring to your tone. One of the main advantages of the compressor is the low end response and the ability to keep untouched, clean signal along side your compressed tone. Many players will see this as an enhancement more than a typical compressor. Others will see it as a boost that can drive your amp with a soft touch. However you use it, you will most likely never want to turn it off.\u003c\/span\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432476038,"sku":"LIMEAID","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/jhs-lime-aid-bass-compressor.jpg?v=1522082758"},{"product_id":"jhs-little-black-buffer-1x3-5","title":"JHS Little Black Buffer 1x3.5","description":"\u003cp\u003eThis may be the greatest weapon you didnt know you needed.\u003c\/p\u003e\n\u003cp\u003eFor those of us who are a little pedal happy there can be some downfall to our tone. When running a pedal board with more than one or two effects, something called capacitance happens. This natural problem happens due to the amount of cable or line that your signal has to travel through, not to mention bad switching systems in certain pedals. The result is a very audible amount of high-end loss, weak signal, flabby bass and uncharacteristic pickup behavior in guitars. Another problem is the assumption that all true bypass is good. This isnt true and actually can be worse than imagined.\u003c\/p\u003e\n\u003cp\u003eThis is where the Little Black Buffer steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural tone that sounds like you're plugged straight into your amp no matter how many pedals you use.\u003c\/p\u003e\n\u003cp\u003ePlug your guitar straight into the input then out into your pedal chain. No need for a switch. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 3.6\"x1.5\"x1\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432476102,"sku":"LITTLEBLACKBUFF","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/jhs-little-black-buffer-1x3-5_1.jpg?v=1614460597"},{"product_id":"jhs-mini-foot-fuzz-1x3-silicon-fuzz","title":"JHS Mini Foot Fuzz 1x3 Silicon Fuzz","description":"\u003cp\u003eSmall, ruthless and simple. 1” x 3” of pure classic fuzz that can melt even the most anti-fuzz activists heart. We believe this is one of the most shocking pedals you will ever play. Rich harmonics, massive headroom and thick fuzz\/overdrive that may cause you to wonder, “What if I had had this pedal years ago? Would I be famous...?”\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432476166,"sku":"MINIFOOTFUZZ","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-MINI-FOOT-FUZZ-1X3-SILICON-FUZZ.jpg?v=1533920396"},{"product_id":"jhs-morning-glory-v4-discreet-overdrive","title":"JHS Morning Glory V4 - Discreet Overdrive","description":"\u003cp\u003eOver the years the Morning Glory is undoubtedly our most known and praised overdrive pedal. It has won more awards and received more accolades than any other JHS pedal. It was created in 2009 out of a need for an overdrive pedal that simply took a guitar and amplifier’s tone to the next level without adding strong mid frequencies or any other characteristic that came along with the Tubescreamer style circuits on the market. Its goal was, and still is, to be incredibly easy to use and to be the most transparent overdrive out there. Even though the \"transparent\" buzzword is a bit overused all these years later, the meaning and application still stands as the best way to describe the magic that the Morning Glory brings to your rig. Let's take a look at what improvements the Morning Glory V4 has to offer.\u003c\/p\u003e\n\u003cp\u003eLooking at the controls, we have Volume, Drive, Tone and Gain. The Volume control acts as a master output level control. One improvement of the V4 is that we have added 2x the available headroom to this control if compared to the V3. The Drive control dials in overdrive as you turn clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as you turn clockwise, the tone becomes brighter. As you turn this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, and when the drive knob is in its upper region, it creates a more high gain tone than ever available in any variation of the Morning Glory. This toggle is indicated by the status LED turning Red and can be remotely activated by way of the “Remote Gain\" 1\/4\" jack located on the upper right side of the pedal. This ability enables the Gain toggle be used in an on-the-fly application for live performance. Set your normal MG tone and instantly switch the Red Remote for a secondary tone with using hardly any space on your board at all. The Bright Cut toggle is now located on the side of the pedal, still easily accessible but out of the way. This switch is great for rigs that lean a little on the bright side or when you are using the MG as a higher gain drive sound. The input jack is located on the lower right side and the output jack is on the left side. The MG runs on standard 9V DC supply only.\u003c\/p\u003e\n\u003cp\u003eWhether you play a Stratocaster or a Les Paul, you will instantly recognize how the Morning Glory is touch sensitive and keeps 100% of your instrument’s feel in place. From \"Little Wing-ish\" chime to full chord rock \u0026amp; roll, the Morning Glory is hard to beat. If you are one of the thousands who have made the Morning Glory a part of your rig or a first-time interest, the Morning Glory V4 offers all the right features, tones, and ease of use that you are looking for in a primary overdrive pedal.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\".\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432476550,"sku":"MORNINGGLORYV4","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/jhs-morning-glory-v4-discreet-overdrive_1.jpg?v=1613771962"},{"product_id":"jhs-pollinator-germanium-3-knob-fuzz","title":"JHS Pollinator Germanium 3 Knob Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eMusic would not be what it is today without a Fuzz Face at the feet of legendary players like Jimi Hendrix, Duane Allman, and countless others. The Pollinator V2 follows in the footsteps of this legendary circuit, but takes its abilities to new levels. At its heart are hand matched AC128 Germanium transistors that add a mojo and flavor that is instantly recognizable. Let's see what the Pollinator has to offer for any genre that you can throw at it.\u003c\/p\u003e\n\u003cp\u003eLooking at the controls, you will see Volume, Gain, Fuzz, and Bias. The Volume control is a standard master output control. Turn it to the right and you are louder, turn it to the left and you are quieter. Compared to a standard Fuzz Face this control has around 5x more power, and compared to the Pollinator V1 it is 2x louder. This amount of available headroom allows you to use the Pollinator as a powerful boost to hit your tube amp or slam another overdrive with ease. The Gain control is new to V2 and should be seen as a pre-gain control that works and interacts with the Fuzz control. The Fuzz control adjusts the overall amount of distortion\/fuzz created by the circuit. The Gain adjusts the overall amount of gain that is allowed into the Fuzz control. The interaction between these two controls offers a massive array of tones from boost, overdrive, tube crunch, vintage fuzz or gated and destroyed distortion. The last control is the Bias knob. This control varies the direct voltage to the second stage transistor. In laymen’s terms, the less voltage this transistor sees, the dirtier, thinner, and harsher it gets. The more voltage it sees, the bigger, cleaner and more powerful it becomes. This control also compensates for temperature and variance in the germanium parts.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432477190,"sku":"POLLINATOR","price":169.15,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-POLLINATOR-GERMANIUM-3-KNOB-FUZZ.jpg?v=1522082759"},{"product_id":"jhs-pulp-n-peel-v4-4-knob-compressor","title":"JHS Pulp 'N Peel V4 - 4 Knob Compressor","description":"\u003cp\u003eA long standing JHS favorite, the Pulp ‘n Peel is a transparent, versatile compressor based faithfully around the Dan Armstrong Orange Squeezer. The initial control layout of volume, comp, and blend is here, but V4 is packed with features not seen on its previous releases. On the face of the pedal, V4 features an EQ control, and a “dirt” mini toggle, allowing the user to blend in an overdrive stage – the level of which can be controlled via sidemount trimpot. For acoustic guitarists, the Pulp ‘n Peel features a balanced XLR out with ground lift, allowing for the pedal to act as a direct interface.\u003c\/p\u003e\n\u003c!-- Highlight --\u003e\n\u003cul\u003e\n\u003cli\u003e1\/4” and XLR outputs for versatile applications\u003c\/li\u003e\n\u003cli\u003eTrue or buffered bypass switching option\u003c\/li\u003e\n\u003cli\u003eStandard -9V power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432477702,"sku":"PULPNPEELV4","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/jhs-pulp-n-peel-v4-4-knob-compressor_1.jpg?v=1615240334"},{"product_id":"jhs-the-at-andy-timmons-drive","title":"JHS The At (Andy Timmons) Drive","description":"\u003cp\u003eSometime in 2013 Andy Timmons purchased an Angry Charlie from a guitar shop in Texas, and it became his main dirt channel soon after. Having a chat with him at Winter NAMM 2015 we set out to tweak it a bit to his personal tastes and needs so that it could fit even better into his live rig. The rest is history and the JHS Pedals “AT”, AKA “The @“, was born. Let’s take a look at its controls and function.\u003c\/p\u003e\n\u003cp\u003eThe AT has four knobs and a three position toggle switch. The “Volume” control controls the overall output level of the effect. The “EQ” control is a low pass filter that very naturally allows you to darken and brighten the overall tone of the pedal. The “Drive” control adjusts the amount of gain\/distortion that you desire. The “Air” control is another low pass filter, but it is focused only on the high treble frequencies. This allows for “The AT“ to perform perfectly with virtually any amplifier as you can adjust in fine detail along with the corresponding “EQ” control.\u003c\/p\u003e\n\u003cp\u003eThe 3-Way toggle is called the “Headroom” toggle. In the down position you have what we refer to as the 50 watt mode. The middle position is 100 watt mode and the up position is the 25 watt mode. These replicate different wattages of a tube amplifier, so just like a real tube amp, the 100 watt is loudest, the 50 watt is in the middle and the 25 watt has less overall volume but more drive on tap. The middle 100 watt mode is clean, loud and full of power. With this mode and the drive knob under 50% you can achieve nice overdrive tones that set single coil pickups on fire with huge low-end and a powerful punch that the original Angry Charlie can’t achieve. The down position 50 watt mode gives you nice crunch\/distortion that has a full frequency response. This mode is perfect for those looking for that classic British gain stage of the JCM800. The up position 25 watt mode reaches all the way into distortion territory and has rich harmonics, enhanced mid’s and more of a cutting presence. If you love gain, this is the mode for you.\u003c\/p\u003e\n\u003cp\u003eThis is an extremely versatile pedal that covers a large range of gain territory. If you need a single pedal that can achieve the saturated tones of a real British tube amplifier with a 4x12 cab, the Andy Timmons signature pedal is where it’s “AT.“\u003c\/p\u003e\n\u003cp\u003eOh yea, you can safely run “The AT“ at 18 or 9 volts.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432478150,"sku":"THEAT","price":219.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-THE-AT-_ANDY-TIMMONS_-DRIVE.jpg?v=1533920404"},{"product_id":"jhs-the-crayon","title":"JHS The Crayon","description":"\u003cp\u003eIn 1968 a piercing guitar tone came through the speakers on the Beatles “Revolution 1”. This is one of the most famous uses of plugging a guitar straight into a mixing console and creating the now referred to as “Direct-In Distortion\". That tone is one of the most recognizable and unique guitar tones of the last 60 years and was one of the inspirations for the JHS Colour Box that we released in May of 2014. We sought to recreate that same compressed bite and fuzz that you get when plugging directly into a British style preamp but in a compact pedal. What we came up with was something even more than we imagined, and the Colour Box has become a staple among many producers, guitar players, and multi-instrumentalists world wide. Many players over the last few years have expressed their interest in a unit that is like the Colourbox but more streamlined for the one basic application of a dirt box. No XLR function, no 3 band EQ… Just the dirt in an easy to use format for guitarists… So we decided to pull the Crayon out of the Colour Box.\u003c\/p\u003e\n\u003cp\u003eThe controls are Master, Pre, Tilt, and Hi Pass. “Master\" is your classic volume control that controls the overall output. “Pre\" works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As you reach 75% and above, the fuzz will begin to gate out as you pick the strings harder when playing, it is very responsive to your input signal and touch. The “Tilt\" acts as an active tone control that is flat when the knob is at 50%. When turned to the left, the Tilt control boosts bass and simultaneously cuts treble. When turned to the right, it boosts treble and cuts bass. This allows for some very unique and usable adjustments to the overall feel of the Crayon. The “Hi-Pass” toggle switch lets you activate from two different frequencies located on the side of the pedal, 200Hz and 750Hz. These settings let only the high band frequencies above them pass, and this allows for some amazing tone shaping possibilities.\u003c\/p\u003e\n\u003cp\u003eThe Crayon excels at Direct-In fuzz tones, but it truly covers more ground than you would first imagine. From subtle tube-like overdrive to classic rock distortion and all the way to spitting fuzz, the Crayon is much more than a one-trick pony. The Crayon also cleans up with your guitar's volume better than any other drive we make. It is exceptional for the player who want to access multiple dirt tones with the controls of their guitar.\u003c\/p\u003e\n\u003cp\u003eThe Crayon may be the tone you’ve heard and always wanted, the tone that you never knew where to find. Add this Crayon to your palette of tones and color your own unique voice.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432478854,"sku":"THECRAYON","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-THE-CRAYON.jpg?v=1533920405"},{"product_id":"jhs-twin-twelve-channel-drive-v2-silvertone-1484-tones","title":"JHS Twin Twelve Channel Drive V2 - Silvertone 1484 Tones","description":"\u003cp\u003eIn 1963 Silvertone* introduced the 60 Watt Model 1484 guitar amplifier.  Originally a student model amplifier, the 1484 has since become legendary, hard to find, and coveted by some of the biggest names in music.  From the time of its debut in the Sears Catalog until its discontinuation only four years later in 1967, the model 1484 \"Twin Twelve\" amplifier is considered a Van Gogh of sorts as it developed a great appreciation and worth years after being discontinued.  Artists such as Beck, Death Cab For Cutie, The White Stripes\/Jack White, and more recently Vampire Weekend and Coldplay have brought this rare amp to the forefront of popular music.  The JHS Pedals  \"Twin Twelve\" channel drive is the first ever all analog stomp box that replicates the classic preamp\/overdrive tones only found in the Silvertone 1484 \"Twin Twelve\" amplifier.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432478982,"sku":"TWINTWELVEV2","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-TWIN-TWELVE-CHANNEL-DRIVE-V2-SILVERTONE-1484-TONES.jpg?v=1533920408"},{"product_id":"jhs-mini-triple-tap-tempo-controls-3-taps","title":"JHS Mini Triple Tap Tempo - Controls 3 Taps","description":"\u003cp\u003eA small 1.5\"x3.6” foot print make this a go to tap tempo controller for all you needs. This comes standard with three outputs and one has a polarity toggle to allow for use of normally open and normally closed tap driven pedals.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432479046,"sku":"MINITRIPLETAP","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-MINI-TRIPLE-TAP-TEMPO-CONTROLS-3-TAPS.jpg?v=1522082758"},{"product_id":"jhs-moonshine-midrange-screamer-dumble","title":"JHS Moonshine Midrange - Screamer - Dumble","description":"\u003cp\u003eAre you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine is for you. Our Moonshine Overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore\/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.\u003c\/p\u003e\n\u003cp\u003eYou’ll immediately feel at home with our basic Volume, Tone, and Drive knobs, so tweak away! The simple 2-position “Proof” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion.\u003c\/p\u003e\n\u003cp\u003eIn the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications. The tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives have in the brighter settings.\u003c\/p\u003e\n\u003cp\u003eJust like our \u003ca title=\"SuperBolt\" href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/superbolt\/\"\u003eSuperBolt\u003c\/a\u003e pedal, the Moonshine uses an internal 9v to 18v charge pump that allows it to run on normal 9v but converting it internally to 18v for an enormous amount of headroom, added low-end and more overall punch.\u003c\/p\u003e\n\u003cp\u003eWe wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster\/Fender amp tones with class to huge “wall of rock” The Edge-style force through a Vox. On another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. Last but not least, it kills on bass guitar, the reason it was originally designed.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432479302,"sku":"MOONSHINE","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-MOONSHINE-MIDRANGE-SCREAMER-DUMBLE.jpg?v=1522082758"},{"product_id":"jhs-muffuletta-fuzz","title":"JHS Muffuletta Fuzz","description":"\u003cp\u003eIn 1967 the legendary Mike Matthews started experimenting with circuits for the electric guitar, and by early 1969 he had created a circuit that has become one of the most legendary, collected and mythical pedals in the history of guitar effects. With 30+ versions made throughout its almost half a century lifetime, the Big Muff Distortion\/Fuzz has personally pioneered the sounds of some of the biggest bands and musical movements in history. The Muffuletta is our tribute to the legend and story of one of the greatest pedals ever invented. Let’s take a look at what makes the Muffuletta the ultimate recreation of this circuit in a way that has never been done before.\u003c\/p\u003e\n\u003cp\u003eThe heart of the Muffuletta is the fact that it replicates five (yes five) classic Big Muff circuits from years gone by as well as a new and original JHS version for a total of six Muff models. All executed without any digital signal processing or digital emulation. When you choose a model, you are achieving analog tone that uses real components and values found in the original units. We have selected our favorite classic versions from the pages of history and made them available in one small format pedal that is easy to understand, operate and do what it should do? replicate rare, expensive, mythical and sought after versions of this circuit with ease.\u003c\/p\u003e\n\u003cp\u003eLooking at the pedal, there are four controls: Volume, Tone, Sustain and Mode. The “Volume\" control works just like any other volume control allowing you to adjust the overall output of the pedal to your taste. The “Tone” control lets you brighten or darken your overall tone. The “Sustain” control is best understood as a gain or distortion control as it gives more distortion to the circuit. The “Mode” control lets you choose from our six different versions of the Big Muff on the fly. Looking at the “Mode” control you will see six icons around the lower 50% of the knob. Let's take a look at each mode and why they made the cut to be in the ultimate Big Muff tribute.\u003c\/p\u003e\n\u003cp\u003eJHS - \"2015\" The JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful, less compressed with a more haunting mid range. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp\u003e73 Rams Head - “1973-1977 V2” The 73 Rams Head gets its name for the strange little elfin looking face that appears on the lower right corner of the pedal. Over the years people nicknamed this unit based on the fact that is looks somewhat like a lamb or animal. It is best known for having a scooped mid range, less gain and being overall darker. Famous users include David Gilmour (main Pink Floyd recordings), Ernie Isley (Eisly Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/p\u003e\n\u003cp\u003eThe Triangle - “1969-1970 V1” The Triangle Muff gets its name from the triangle arrangement of the knobs on the original unit. It is best known for having more low-end response and being more articulate. Famous users include Santana, David Gilmour's Pete Cornish made pedal boards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/p\u003e\n\u003cp\u003eThe Pi - “1977-1978 V3” The Pi Muff gets its name from the instantly recognizable red Pi symbol on the top. This is not to be confused with the later redesigned NYC version released much later in 2000. It is best known for a more aggressive sound. Famous users include Frank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townsend (The Who).\u003c\/p\u003e\n\u003cp\u003eThe Russian - \"1999-2009 V8” The Russian Muff gets its name from the “Made in Russia” text found on the back. It is best known for having less clarity and less low end. Famous users include Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/p\u003e\n\u003cp\u003eThe Civil War - “1991-1993 V7” The Civil War Muff gets its name from the old style Civil War era font found on the enclosure as well as the navy and grey colors found on many. It is best known for having more mid range, brighter overall tone and less gain. Famous users include Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills and Peter Buck (REM).\u003c\/p\u003e\n\u003cp\u003eThe Big Muff has an amazing history and has been used by some of the most influential guitarists ever. Never before has there been a single pedal that gives you all these different eras of it’s tone. We are convinced that the Muffuletta can fit in anyone's rig who loves dirt, distortion and fuzz, and we think it will be hard for you to disagree once you plug it in and play.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432479942,"sku":"MUFFULETTA","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-MUFFULETTA-FUZZ.jpg?v=1617370654"},{"product_id":"jhs-panther-cub-analog-tap-tempo-delay","title":"JHS Panther Cub Analog Tap Tempo Delay","description":"\u003cp\u003eIn 2011 we released the \u003ca title=\"Panther Analog Delay\" href=\"https:\/\/www.jhspedals.com\/products\/guitar-pedals\/panther\/\"\u003ePanther Analog Delay\u003c\/a\u003e.  Almost exactly two years later we tried a nearly impossible feat of taking everything we love about the Panther Delay, making a few improvements, and packaging it into a enclosure half the size.  We are proud to bring to you the Panther Cub. True Bucket Brigade delay that has the tone and options to cover any style, any use, and any player. The Panther Cub Delay is our most anticipated pedal to date with it’s groundbreaker feature set including “tap tempo control” that lives within an all analog 1000 milliseconds of delay time!  The “effects loop” allows you to place any effect or effects chain on the repeats only. We kept the four section “Ratio Control” to give you quarter, dotted eighth, eighth, and triplet divisions. The built in “Modulation” gives you a shimmery Deluxe Memory Man type vibe and works perfectly even with tap in use. The Panther Delay was the first to do this!  The internal \"Roar\" switch gives you two different levels\/sensitivity of oscillation and runaway.  As the user you have the ability to program an “expression control” to your favorite knob to use it to change settings on the fly!  The “Tap In\/Out” jack lets you remotely tap in a tempo or slave another tap device for amazing live flexibility. All this and more is powered by a standard 9v supply.\u003c\/p\u003e\n\u003cp\u003e1000 Miliseconds of Delay (1 full second)\u003cbr\u003e 100% Analog signal path\u003cbr\u003e Eight 3208 Bucket Brigade Delay chips\u003cbr\u003e Efficient and compact 1590BB size case (4.7\"x3.7\")\u003cbr\u003e 4 Position Ratio control (1\/4, 1\/8, dotted 1\/8, Triplets)\u003cbr\u003e Standard 9v DC Negative power\u003cbr\u003e Soft-touch Tap Tempo switch\u003cbr\u003e Onboard Modulation (speed\/depth) that stays accurate even when using Tap Tempo\u003cbr\u003e Internal \"ROAR\" switch for 2 modes of oscillation sensitivity\u003cbr\u003e EFX Loop (via TRS splitter) that allows placement of any effect on repeats only\u003cbr\u003e Dry Out (via TRS splitter) for stereo field of sound\u003cbr\u003e Space saving top-mounted Input\/Output jacks\u003cbr\u003e True Speed LED (indicates rate of actual delay)\u003cbr\u003e Assignable Expression (control Speed, Ratio, Mod Depth, Mod Speed\u003cbr\u003e Improved and Strengthened Feedback and Oscillation\u003cbr\u003e Improved Delay overall definition and strength\u003cbr\u003e Tap Input\/Output allows external tap controller or tap slaving\u003cbr\u003e True Bypass Switching\u003c\/p\u003e\n\u003cp\u003e100% Designed, Populated, and Assembled in Kansas City USA\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes 100mA, and measures 4.7\"x3.7\"x1.2\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432480518,"sku":"PANTHERCUB","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-PANTHER-CUB-ANALOG-TAP-TEMPO-DELAY.jpg?v=1522082759"},{"product_id":"jhs-pulp-n-peel-3-knob-compressor","title":"JHS Pulp N Peel 3 Knob Compressor","description":"\u003cp\u003eCompression is the one effect that can make the difference between sounding polished and professional or just normal and part of the crowd. Most people discover that studio quality sound in their rigs for the first time when they add a good quality compressor. Our Pulp n Peel compressor is the perfect tool for adding a different dynamic, flavor and sustain no matter what rig you play.\u003c\/p\u003e\n\u003cp\u003eAs you may have guessed by our suave design, we based this comp off of a certain vintage design made famous back in the day. Most compressors you see are based off of the Ross\/MXR design that yield very squashed high end and a lack of upper end clarity and definition. The Pulp n Peel is not. With the PnP you will find that your guitar's natural color and attack stay in place instead of being forced under a hard and un-transparent squash. Another advantage is its low noise floor and super headroom that allows it to be used as a boost in front of or behind your favorite overdrive\/distortion or fuzz. The PnP excels in the fields of blues, jazz, funk and classic rock because of its natural transparency and cooperation with single coils as well as humbuckers. The controls are as simple as it gets with compression, volume and a clean blend knob to dial in your original untouched signal. The idea behind our design is that you will never want to turn it off, and if your looking for the perfect \"leave-on\" compressor that will make your rig sound like a million bucks, then look no further. Once you have experienced what it does to your rig, you will never be the same.\u003c\/p\u003e\n\u003cp\u003eNOTE: Our blend control blends compression in. All the way up is full compression\/preamp tone while rolling it backwards brings in your original uncompressed tone. One more thing, don't play with the trim pot inside of the pedal, as tempting as it is because we set that to a very specific voltage with our fancy electronic tools.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432481158,"sku":"PULPNPEEL","price":194.65,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-PULP-_N-PEEL-3-KNOB-COMPRESSOR_2.jpg?v=1522082759"},{"product_id":"jhs-steak-eggs-overdrive","title":"JHS Steak \u0026 Eggs Overdrive","description":"\u003cp\u003eJHS Pedals and boutique guitar pedal legend Keeley Electronics have teamed up to bring you a 2-in-1 collaboration of two essential circuits with a few delicious surprises.\u003c\/p\u003e\n\u003cp\u003eThe Steak \u0026amp; Eggs is a perfect pairing of overdrive and compression that you may never turn off. The ingredients of the dish are a modified JHS Pedals Morning Glory and a modified Keeley Electronics Compressor both of which can only be found in this offering.\u003c\/p\u003e\n\u003cp\u003eThe left side is the JHS Pedals Morning Glory circuit with a new gain setting that has never before been available in a previous version of the circuit. For years JHS Pedals has been asked for a higher gain version of the Morning Glory that keeps the character of the circuit but gives you more power. JHS released a limited run of 135 pedals in 2012 called the State Line and this pedal included a modified version of the Morning Glory. However, the high gain modification found in the Steak \u0026amp; Eggs circuit is totally new and re-thought from the ground up. JHS feels this is the perfecting ingredient to the already prestigious Morning Glory giving it power, punch, and dirt at the flick of a switch. The gain switch works two different ways in correspondence with the drive control. When the drive control is below 80% the toggle adds headroom and punch, when the drive control is maxed it adds more dirt, saturation and gain to the circuit for the most available drive ever in the circuits history. The standard bright cut toggle everyone is familiar with is still available via an internal dip switch. Whether you like over-easy, sunny-side up, poached, or hard-boiled, this will be a glorious morning treat.\u003c\/p\u003e\n\u003cp\u003eThe right side of the Steak \u0026amp; Eggs is a new three knob version of the classic Keeley Electronics Compressor. The Compressor features a blend control which allows players to blend back in their original unaffected signal for very punchy tones and the tenderest compression available. It's great for humbuckers where over-compression can result in a dull tone; this design helps retain brightness. An all new mid and treble emphasis circuit has been incorporated in this design as well. The \"Bright Switch \" is also new to the Keeley Compressor. Flicking the toggle switch up allows players to fine tune the highs in their signal by pushing the perfect frequency range for that \"jangly\" tone! The compressor also features a fast release time allowing players to experience all the warmth and sustain of the earlier Keeley designs yet retain clarity in note definition. If the player would like a more spongy, tube-like compression, there is an internal DIP switch that gives you the classic Keeley sound, perfect for chicken- pickin! The Sustain Control is where all the magic happens. As with all of the vintage Keeley OTA designed compressors, the Sustain control may make a swoosh sound as rotated and it will not affect performance when playing.\u003c\/p\u003e\n\u003cp\u003eIn the center you will find a toggle to select the order of the effects. When the toggle is to the right, the Compressor is first. When the toggle is to the left, the Morning Glory is first. This gives you total control over the way the compression and overdrive affect one another.\u003c\/p\u003e\n\u003cp\u003eWith these modified classic overdrive and compression circuits in one box, the Steak and Eggs is the perfect staple for your pantry. Marinate your ears and incubate your tone with the Steak and Eggs.\u003c\/p\u003e\n\u003cp\u003eThe Steak \u0026amp; Eggs is truly a collaborative effort that couldn't have happened without the help of Jon Cusack and Cusack Music populating the PCBs in Holland, Michigan. Thanks to Cusack Music for making the process of two companies' designs come together easily and efficiently!\u003c\/p\u003e\n\u003cp\u003eModifications to original circuits by Josh Scott and Robert Keeley. Final PCB layout, powder coating, printing and drilling of the enclosure by Keeley Electronics in Edmond, OK. PCBs populated by Cusack Music in Holland, MI. Final assembly, Quality Control, packaging and shipping by JHS Pedals in Kansas City, MO. We are proud to keep this product 100% made-in-USA.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432482182,"sku":"STEAKANDEGGS","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-STEAK-_-EGGS-OVERDRIVE.jpg?v=1522082759"},{"product_id":"jhs-superbolt-valco-supro-amp-tones","title":"JHS Superbolt Valco Supro Amp Tones","description":"\u003cp\u003eFrom the inception of the Supro Company in 1935 until its closing in 1968, no other brand of amplifier has had such a fascinating, mysterious and legendary story. The Supro® amps deliver the voice of rock and roll, from Jimmy Page’s legendary Led Zeppelin recordings or Brian Setzer’s early Stray Cat tracks, to the raging rhythm tones of Switchfoot’s Drew Shirley. If you have ever played one of these vintage amps then you know nothing sounds the same. No matter how high you take the volume, the amp delivers the same smooth but cutting tone that has shaped countless recordings over its 75+year history.\u003c\/p\u003e\n\u003cp\u003eThe JHS SuperBolt overdrive pedal, at its heart, is a discreet circuit, designed to emulate the tone and character of the 1960’s-era Supro® amps. From its touch-sensitivity to the way the pedal sags with tube rectifier color at higher gain settings, the SuperBolt will give any guitar rig a versatile and useful new set of tones, reminiscent of some of the greatest sounds ever recorded. With 3 simple knob controls named Volume, Tone, and Drive, you will have the ability to make any guitar rig drip with vintage soul and attitude that no pedal has ever delivered- until now.\u003c\/p\u003e\n\u003cp\u003eTo understand how the SuperBolt operates, let’s begin with the Drive knob. As you turn up the Drive, it’s like turning the volume knob on one of these small-box vintage amps; the more you turn it up, the dirtier it gets. Next, the Volume knob acts like what some would call a master volume. None of the vintage Supro® amps had this control, but it works perfectly for letting the SuperBolt get the dirty cranked-volume tones with the Drive knob and then backing down the loudness factor with the Volume knob. The third knob is the Tone control, fairly true to the designs in many of these vintage amps. Our Tone control will serve as a breath of fresh air to all of you who are tired of the unusable and treble-ridden tone controls out there. All the way up, it is a biting and sharp tone that is extremely usable and easy on the ears; all the way back, you will find a dark but well-focused range of tones, useful for jazz and more subtle styles.\u003c\/p\u003e\n\u003cp\u003eThe Hi\/Low toggle switch lets you toggle between Hi and Low gain settings, much like the High\/Low input jacks found on many of the amps of the 50’s and 60’s. In the down (Hi) position, you’ll find huge amounts of headroom, more upper mids, more available dirt, and the most rock and roll that the pedal can offer. In the up (Low) position, cleaner sounds are available and a slightly darker and more mellow tone. The SuperBolt runs on a basic 9v supply, but internally it converts that 9v to 18v, for massive punch, headroom, and its overall powerful character.  Do not attempt to power the SuperBolt with a 18v power supply.\u003c\/p\u003e\n\u003cp\u003eYou will notice that the overall tone is open and full, without the compression found in many overdrives on the market. It will compliment a more compressed drive beautifully, and it stacks well with everything we have tried- and we’ve tried a lot. If you love boosting your amp into natural overdrive, you have never heard anything do this like the SuperBolt. It will literally make any amp into a fire-breathing dirt machine. If you want a classic tool for your guitar rig that can handle any style you throw at it, the SuperBolt is for you. We believe this is a truly unique pedal in a world full of overdrives; get a taste of something different today!\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432482950,"sku":"SUPERBOLT","price":169.15,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-SUPERBOLT-VALCO-SUPRO-AMP-TONES.jpg?v=1522082760"},{"product_id":"jhs-the-kilt-overdrive-distortion","title":"JHS The Kilt Overdrive\/Distortion","description":"\u003cp\u003eWhen the opportunity to work with legendary guitarist, writer, producer, and founding member of the famed UK band Delirious came about, we couldn't pass it up. Right out of the gate StuG wanted a dirt box that could essentially cover any and all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born.\u003c\/p\u003e\n\u003cp\u003eThe Kilt is a true 2-in-1 Dirt Box \/ Boost in a small footprint that packs all the power, range, options, and tones you could ever want. The left side is heavily inspired by the original and sought after Expandora, but with some major tweaks that bring this classic effect to a new level of tones and usability.  Of all the drive pedals we have released this one is as close to “doing it all” as any.  You can achieve transparent light tube-like breakup, bluesy overdrive, thick natural distortion, and even over the top fuzz from this one box.\u003c\/p\u003e\n\u003cp\u003eAt the heart of the left\/dirt side is a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original.  There are also 3 mini toggles for the left\/dirt side that enhance tweak-ability and options even further. The \"Cut\" toggle gives you the ability to cut or boost the low end frequencies.  The down position is the stock setting that gives you a significant and very useful bass boost over the original Expandora that lacked greatly in this area.  The up position is closer to an original Expandora and thinner, hence the term cut.  The \"G1\" and \"G2\" toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit.  This method is very different than your normal diode clipping selectors that you commonly see on drive pedals.  This gives you multiple configurations and tonal options, helping the Kilt cover light transparent drive all the way to a fat wall of distortion and everything found in between.  The controls from left to right for the left\/dirt side are “Volume\", \"Tone\", and “Gain.\"  These are pretty self explanatory in the fact that the \"Volume\" is the overall master output volume of the drive, the \"Tone\" rolls in high end as its turned clockwise, and the \"Gain\" controls the amount of distortion by turning the input of the pedal up or down allowing less or more signal to hit the circuitry that causes the distortion.\u003c\/p\u003e\n\u003cp\u003eThe right\/boost side is a JFET boost with an ever so slight amount of grit and presence that helps in boosting solos or slamming the front end of the left\/dirt side to achieve even more distorted sounds. The \"Boost\" knob controls the volume level of the boost and the mini \"Order\" toggle lets you choose between Boost pre left side (switch down) and Boost post left side (switch up).\u003c\/p\u003e\n\u003cp\u003eThe Kilt runs at 9v and has true bypass switching all inside a custom polished aluminum enclosure.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432483782,"sku":"THEKILT","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-THE-KILT-OVERDRIVEDISTORTION.jpg?v=1522082760"},{"product_id":"jhs-the-prestige-buffer-booster","title":"JHS The Prestige Buffer\/Booster","description":"\u003cp\u003eIn the footsteps of our long-ago discontinued Mr Magic pedal, we bring you the \"final act\" in boost magic...The Prestige! From buffer, to boost, to tone enhancer, the Prestige will prove to be a vital and necessary piece of gear for anyone's rig. With the boost knob set to zero, you have in your hands an amazing buffer\/enhancer for long cable runs as well as a tool that will simply add some life back into your rig. When the Boost knob is in the first 25% you will get different flavors of the buffer\/enhancer as well as slight volume increases. When the Boost knob is set between 25% and 50% you have a powerful, dynamic solo boost that adds definition, clarity and a little magic to your solos and lead passages. When set at 50% or more, the Prestige gives you the ability to break up your tube amp in a smooth and natural way resulting in real tube overdrive from the preamp section of your tube amp. The last 25% of the volume range can completely destroy your amp in the best way possible, resulting in rich soaring sustain, breakup, and on some amps even a smooth warm fuzzy growl. When wide open, the Prestige will give you up to 27dB.\u003c\/p\u003e\n\u003cp\u003eThis super small 1.5\"x3.6\" booster can do what needs to be done no matter what the task. If you need a little magic in your life, look no further!\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 3.6\"x1.5\"x1\"\u003c\/p\u003e\n\u003c!-- Highlight --\u003e\n\u003cul\u003e\n\u003cli\u003eOne knob that has plenty of tricks up its sleeve.\u003c\/li\u003e\n\u003cli\u003eBuffer\/Enhancer for long cable runs or an always-on preamp.\u003c\/li\u003e\n\u003cli\u003eBooster for solos, saturating another overdrive or overdriving your amp.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432484422,"sku":"THEPRESTIGE","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/jhs-the-prestige-buffer-booster_1.jpg?v=1557240103"},{"product_id":"jhs-twin-twelve-silvertone-1484-tones","title":"JHS Twin Twelve Silvertone 1484 Tones","description":"\u003cp\u003eIn 1963 Silvertone* introduced the 60 Watt Model 1484 guitar amplifier. Originally a student model amplifier, the 1484 has since become legendary, hard to find, and coveted by some of the biggest names in music. From the time of its debut in the Sears Catalog until its discontinuation only four years later in 1967, the model 1484 \"Twin Twelve\" amplifier is considered a Van Gogh of sorts as it developed a great appreciation and worth years after being discontinued. Artists such as Beck, Death Cab For Cutie, The White Stripes\/Jack White, and more recently Vampire Weekend and Coldplay have brought this rare amp to the forefront of popular music. The JHS Pedals \"Twin Twelve\" channel drive is the first ever all analog stomp box that replicates the classic preamp\/overdrive tones only found in the Silvertone 1484 \"Twin Twelve\" amplifier.\u003c\/p\u003e\n\u003cp\u003eThe heart of the JHS Pedals Twin Twelve are the discrete transistor stages that take the place of the original tubes found in the amplifier. Each transistor stage of each pedal is meticulously hand tuned and adjusted for the perfect voltage that achieves a striking similarity to the real valve sound of the original amplifier. To help achieve the weight and power of the original valve design the circuit is designed around a charge pump that internally converts your standard 9V DC Negative power up to a powerful 18 volts. This conversion gives you more punch, a better dynamic range, and overall one of the best amp-like feels of any pedal we have ever offered.\u003c\/p\u003e\n\u003cp\u003eThe JHS Pedals Twin Twelve has four controls: Volume, Drive, Bass, and Treble. The original amp only had Volume, Bass, and Treble. Let's start here and explain the additional Drive control that exists on our Twin Twelve pedal. The Volume control of the pedal acts as the master volume that the amplifier never had. By design, if the Volume control of the pedal is maxed out, the pedal is acting like a non-master volume amplifier. The Drive knob of the pedal is essentially the Volume control of the amplifier. As you turn up the Drive knob of the pedal you get more overdrive and tube-like saturation just like you would by cranking up the Volume knob on the amplifier. The biggest difference between the pedal and the original amplifier is that you can now crank the Drive knob of the pedal and turn the overall volume down with the pedal's Volume knob. The 1484 amplifier did not have this feature and made it at times unbearable to achieve the best cranked-up amp tones when in a small venue, small club, or bedroom situation. The Bass and Treble controls are almost exact replications of the 1484's baxandall tone circuit with only minor improvements that make them work more effectively in a guitar pedal format. If you have ever played a real 1484 amp you probably found yourself cranking up the amp's Bass control due to the fact that the first 40% of the sweep was pretty useless and completely non-audible in change. On our pedal, we've adjusted the values within the Bass control network giving a more audible and useful control range. With the pedal's Bass and Treble set to noon you have the very classic and true 1484 amp tone with plenty of room to expand and tweak. The Bass and Treble controls of the pedal are active and allow you to cut or add either frequency.\u003c\/p\u003e\n\u003cp\u003eThe Twin Twelve pedal can be used as an \"always-on\" preamp, an enhancer for your current rig, or as a powerful solo booster. The Twin Twelve also does great job at amp-like overdrive tones, treble boosting, edge of fuzz overdrive, and more. We are convinced that this is one of our greatest offerings ever and we think you will feel the same.\u003c\/p\u003e\n\u003cp\u003eEnjoy classic Silvertone 1484 tones without having to jump in a Delorean and turn back time.\u003c\/p\u003e\n\u003cp\u003e**The word\/name Silvertone is a registered trademark. The JHS Pedals Twin Twelve pedal is in no way affiliated with Silvertone. JHS Pedals has applied and filed for the trademark of the word\/name Twin Twelve and is awaiting official registration from the US Patent \u0026amp; Trademark Office.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432485190,"sku":"TWINTWELVE","price":169.15,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-TWIN-TWELVE-SILVERTONE-1484-TONES.jpg?v=1522082760"},{"product_id":"jhs-unicorn-photocell-modulator-with-tap","title":"JHS Unicorn Photocell Modulator With Tap","description":"\u003cp\u003eIn the 1960s a new guitar effect was introduced that would leave its mark on some of the most influential music ever made. Classic songs like Pink Floyds Breathe, Jimi Hendrixs Machine Gun and Star Spangled Banner live at Woodstock 1969\", Robin Trowers Bridge of Sighs, and even modern day classics like Pearl Jams Alive all feature this unmistakable effect. First introduced under the Shin-ei* and Univox* name brands, the Uni-Vibe* effect has shaped some of the most famous guitar tones ever and to this day still inspires modulation\/phasing\/rotary sounds that are lush, original, and far from the typical route of safe and standard guitar effects.\u003c\/p\u003e\n\u003cp\u003eWhat sets the Unicorn apart from all other Uni-Vibe* circuits up till now is that we have for the first time ever added tap tempo control of the LFO rate as well as ratio, external tap control, and external expression of the speed. We are super proud of bringing all the magic of this classic circuit into the modern age without compromising the integrity of the all analog signal path, photo cell topology, and true classic invention that the 1960s gave us.\u003c\/p\u003e\n\u003cp\u003eLooking at the pedal you see four knobs: Volume, Depth, Speed, and Ratio. The Volume control allows you to magically adjust the amplitude of the effected signal from zero all the way to a 9db boost. This allows you to perfectly place the Unicorn wherever you want in the mix. The Depth control lets you adjust the wet\/dry relationship between your clean signal and the effect. This gives you all the control you need to go from very subtle to hard effect. This control is also sprinkled with the tears of elves. The Speed control works in conjunction with the tap tempo and lets you adjust the rate at which the effect moves as well as how much fairy dust enters into the flux capacitor of the Unicorn. The Ratio control lets you choose 4 speed ratios that ultimately effect the tempo you tap in. You can choose between 1\/4, 1\/8, dotted 1\/8 and Triplets. When perfectly dialed in you can achieve the exact pulse of a mystical Unicorn running across a field of 4 leaf clovers only if you dare. The mini toggle is the wet\/dry adjustment. When in the up position you get a preset amount of dry mixed in and this is known as the classic Univibe modulation effect. In the down position you get an all wet vibrato setting that can go from subtle warped record to extreme sea sick tones.\u003c\/p\u003e\n\u003cp\u003eYou will see three jacks: In, Out, and Tap\/Exp. The In is where you plug your instrument in and the Out is where you connect the next pedal or your amplifier. The Tap\/Exp lets you plug in a TRS expression pedal like the M-Audio or any momentary tap control for some extra external control. Just select Tap or Expression by way of the small internal switch. The Tap Out setting lets you also connect the Unicorn to any other tap controlled pedal like our Panther Cub Delay, Emperor Chorus, etc to have those pedals control the Unicorn's tempo or vice versa.\u003c\/p\u003e\n\u003cp\u003eWhen everything has been done and everything has been seen, we bring you a first ever 100% analog signal path Uni-vibe* Photocell Modulator w\/ Tap Tempo.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":23432485766,"sku":"UNICORN","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/JHS-UNICORN-PHOTOCELL-MODULATOR-W-TAP.jpg?v=1522082761"},{"product_id":"mxr-75-vintage-phase-45","title":"MXR 75 Vintage Phase 45","description":"\u003cp\u003eThe '75 Vintage Phase 45 reissue from the MXR Custom Shop reproduces the rare little brother of the Phase 90 to exacting specifications. With two stages of phasing, the Phase 45 offers up its subtle and musical voice via hand-matched FETs and hand-wired circuit board. Authentic tried and true components and hardware such as a Carling switch, CTS pot and Switchcraft jacks. Texture your tone without over powering your sound with the limited-edition '75 Vintage Phase 45.\u003c\/p\u003e","brand":"MXR","offers":[{"title":"Default Title","offer_id":23432500102,"sku":"CSP105","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/mxr-75-vintage-phase-45_1.jpg?v=1556125291"},{"product_id":"mxr-badass-distortion","title":"MXR Badass Distortion","description":"\u003cp\u003eThe first in a line from the MXR Custom Badass design team, the MXR Custom Badass ’78 Distortion is a factory-modded pedal that roars with huge amp stack tones and old school tube amp-like distortion.\u003c\/p\u003e\n\u003cp\u003eWe took a classic distortion circuit and hot-rodded it to the next level for over-the-top soaring leads and rich, saturated rhythms. With only three knobs, dialing in Badass tone is a cinch. The CRUNCH button allows you to choose between two different modes of diode and LED clipping, boosting the harmonic content of the distortion.\u003c\/p\u003e\n\u003cp\u003eThe '78 Distortion's wide open amp-like sound sounds great whether it's in front of a clean amp, a slightly dirty amp, or a full on overdriven amp. Under the hood, this high performance machine features top notch circuitry and hardware meant for a lifetime of use.\u003c\/p\u003e","brand":"MXR","offers":[{"title":"Default Title","offer_id":23432500166,"sku":"M78","price":125.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/mxr-badass-distortion_1.jpg?v=1556128196"},{"product_id":"mxr-bass-distortion","title":"MXR Bass Distortion Effect Pedal","description":"\u003cp\u003eThe MXR Bass Distortion dishes out big gnarly tones with all the low end your bottom-dwelling heart desires. Working closely with indie pedal phenom, bass dirt guru, and Fuzzrocious Pedals founder Ryan Ratajski, we took a famously nasty sounding distortion circuit and re-tooled it for the modern working bass player.\u003c\/p\u003e\n\u003cp\u003eThe MXR Bass Distortion’s raunchy sound comes in two flavors, selectable via the LED\/SIL switch. The default SIL setting uses silicon clipping diodes for an aggressive, biting sound and a bit of compression, while the LED setting uses LED diodes for a more wide open sound and a nice gain bump.\u003c\/p\u003e","brand":"MXR","offers":[{"title":"Default Title","offer_id":23432500230,"sku":"M85","price":159.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/mxr-bass-distortion_1.jpg?v=1556128747"},{"product_id":"mxr-bass-preamp","title":"MXR Bass Preamp","description":"The MXR Bass Preamp combines a pristine bass preamp with a studio-quality Direct Out in a Phase 90-sized box, providing clear tone without hogging precious pedalboard space. Use it to add a new voice to an old passive bass, sweeten up any amp, or put some special sauce on a particular song. Dial it in just the way you want it and send it straight to the house—pre or post-EQ—with the built-in Direct Out. \u003cbr\u003e \u003cbr\u003e The Bass Preamp features separate INPUT and OUTPUT level controls and a 3-band EQ section with sweepable midrange—from 250hz to 1khz—for extensive tonal flexibility. It’s all delivered super clean with high headroom thanks to our own Constant Headroom Technology™, and you can use the PRE\/POST EQ switch to set whether or not your Direct Out signal is affected by the Bass Preamp’s EQ section. And of course, the Bass Preamp features a GROUND LIFT switch in case you encounter ground loop hum. \u003cbr\u003e \u003cbr\u003e The Bass Preamp is factory preset to operate in ¼” out buffered bypass and Direct Out active. For players who only want to use the ¼” out, there are two internal switches that disable the Direct Out and ¼” out buffered bypass for true ¼” out bypass mode.","brand":"MXR","offers":[{"title":"Default Title","offer_id":23432500294,"sku":"M81","price":189.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/mxr-bass-preamp.jpg?v=1486144902"},{"product_id":"mxr-carbon-copy-bright-analog-delay","title":"MXR Carbon Copy Bright - Analog Delay","description":"The Carbon Copy Bright Delay has everything that the standard Carbon Copy Delay is revered for, but it’s been tuned for a brighter sound. Where the standard version repeats have a dark, mellow wash, the Bright’s repeats are more defined with a distinct vocal quality. The two sounds are great companions—we saw to it that they play nicely together. Engage the modulation section, and your repeats will sing with shimmery beauty as strummed chords ring out even longer than before. \u003cbr\u003e \u003cbr\u003e With 600 milliseconds of delay time, an enhanced frequency range, a vibrant delay path and true bypass switching, the Carbon Copy Bright Analog Delay is for players who’ve been searching for an all-analog delay with a more present and articulate tonal palette.","brand":"MXR","offers":[{"title":"Default Title","offer_id":23432500614,"sku":"M269SE","price":159.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1210\/3886\/products\/MXR-CARBON-COPY-BRIGHT-ANALOG-DELAY.jpg?v=1533920849"}],"url":"https:\/\/www.russomusic.com\/collections\/black-friday-2021.oembed?page=5","provider":"Russo Music","version":"1.0","type":"link"}