Taylor Custom Grand Auditorium C14ce Catch #14, Bearclaw Sitka Spruce/East Indian Rosewood

Neo-tropical mahogany neck, bloodwood binding, Taylor's ES-2 electronics, and a natural, no stain finish. Item ID: C14CEB4014

Highlights

  • NAMM Catch #14
  • Grand Auditorium Body with Venetian Cutaway
  • Bearclaw Sitka Spruce Top, East Indian Rosewood Back/Sides
  • Neo-tropical Mahogany Neck
  • Bloodwood Binding
  • Natural Finish, No Stain
Description

Taylor unveiled a handful of new C14ce Catch models at NAMM 2024, and this Grand Auditorium Catch #14 with a bearclaw Sitka spruce top and East Indian rosewood back/sides was a standout. This guitar is the embodiment of Taylor's boundary-pushing acoustic instruments since 1974, and includes a host of performance features and ornamentation pieces that make it a notable piece from NAMM. 

This guitar's Grand Auditorium-shaped body is built with a top made of premium bearclaw Sitka spruce, and a back and sides with a much darker complexion, made of East Indian rosewood. This combination of woods makes for a beautiful contrast between the color of the top and that of the back and sides, all of which are finished with a clear gloss, natural finish, showcasing the natural beauty of the woodgrains underneath. The absence of a pickguard underscores this guitar's simplicity.

The neck of this Taylor beauty is carved from Neotropical mahogany, and topped with a stunning, dark West African Crelicam ebony fingerboard, with custom LB diamond inlays made od Mother of Pearl and bloodwood. Atop the neck, the headstock features an ebony veneer to match the color of the fingerboard, and is stocked with Gotoh 510 Antique Chrome tuning machines. 

Taylor's ES-2 electronics allow this guitar's tone to be faithfully recreated in live settings, and boasts a Piezo pickup, as well as three individual control knobs: one for Volume, one for Bass, and one for Treble. 

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    Specs

    Catch#
    14
    Model
    C14ceB4014
    Body Shape
    Grand Auditorium
    Top Wood
    Sitka Spruce (Bearclaw)
    Back & Sides Wood
    East Indian Rosewood (AA)
    Neck Wood
    Neo-tropical Mahogany
    Binding
    Bloodwood
    Fretboard Inlay
    LB
    Fretboard Inlay Material
    Mother of Pearl/Bloodwood
    Rosette Style
    LBrosette
    Rosette Material
    Mother of Pearl and Bloodwood
    Tuning Machines
    Gotoh 510 Antique Chrome
    Finish
    Gloss, Natural - No Stain
    Bridge Pins
    Bone
    Bridge Pin Detail
    Dark Stain, Australian Opal Red Dot
    Cutaway
    Venetian
    Peghead Inlay
    Mother of Pearl
    Peghead Logo
    Mother of Pearl
    Rosette Purfling Detail
    B/W/B
    Rosette Purfling Material
    Fiber