Taylor K14CE V-Class Builder’s EditionItem ID: BEK14CE
This stunning Grand Auditorium from our new Builder’s Edition collection features Hawaiian koa back and sides paired with a torrefied Sitka spruce top. The guitar was inspired by our groundbreaking V-Class bracing, which boosts the volume evenly across the tonal spectrum, increases the sustain, and improves the natural intonation of the guitar by creating a more orderly response from the soundboard. The result is a more harmonious relationship between the notes you play, helping chords sing with cohesive beauty. Another design emphasis of Builder’s Edition is enhanced playing comfort in the form of ergonomic new body contours.
Details include a beveled armrest, beveled body edge treatment, and a reshaped cutaway that flows smoothly into the heel and incorporates a finger bevel where the cutaway meets the soundboard. This creates a more fluid path to the guitar’s upper-register notes for your fretting hand. Other refined touches include “silent” satin finish, which helps quiet the incidental noise against the guitar body, and a gorgeous new Kona burst that highlights the natural beauty of the figured koa back and sides. Inset koa/paua top and back trim adds a beautiful sparkle that complements the new Spring Vine fretboard inlay. In every way, this K14ce acoustic guitar embodies the ultimate player’s guitar and testifies to the benefits of innovative craftsmanship.
What Is V-Class Bracing?
Bracing is the internal framework that helps shape the sound of an acoustic guitar. V-Class bracing is a groundbreaking new Taylor design — a new sonic “engine”— that transforms the way an acoustic guitar top vibrates to dramatically improve the sound. Developed by master guitar designer Andy Powers, it marks a bold departure from traditional X-bracing, producing notes that are louder, longer sustaining, and more in tune with each other. Discover the history and inspiration that brought us to this turning point in guitar design.
How V-Class Works
A New Platform to Solve an Age-Old Problem
While traditional X-bracing has stood the test of time for over 100 years, it creates an inherent trade-off between two key elements of an acoustic guitar’s sound: volume and sustain. A guitar’s top (the soundboard) contributes to both. Volume comes from the flexibility of the top, while sustain comes from stiffness. The trade-off is that when you make something stiffer, you reduce its flexibility, and vice versa. With an X-braced guitar top, increasing one comes at the expense of the other. V-Class bracing changes that. Now an acoustic guitar top can be both stiff and flexible in ways that produce more volume and sustain. And as it turns out, this innovative bracing design also improves the intonation of the guitar. Discover how we broke away from tradition and reinvented what the acoustic guitar can do.
V-Class guitar bracing controls the top’s flexibility, creating a more orderly rocking motion across both sides of the top. The controlled flexing movement produces greater volume.
V-Class bracing maintains stiffness along the middle of the guitar, in the direction of the strings. That rigidity keeps the strings in motion, producing notes that resonate longer before fading out.
V-Class bracing makes the top more in tune with the vibrating strings. This eliminates much of the interference that causes some notes to waver and sound slightly out of tune. As a result, notes and chords played anywhere on the neck are more consistent and in tune with each other.
|Body Top:||Sitka Spruce|
|Body Back/Sides||Hawaiian Koa|
|Neck Material:||Tropical Mahogany|
|Fingerboard Material:||West African Ebony|
|Body Shape:||Grand Auditorium|
|Bracing:||V-Class with Relief Rout|
|Electronics:||Expression System® 2|
|Case:||Taylor Deluxe Hardshell Brown|